Showing posts with label Technology and Beyond.... Show all posts
Showing posts with label Technology and Beyond.... Show all posts

Saturday, 12 May 2012

A poem a week for 2012 - A record of a year in the life of...




E-books...
..To Be...or Not To Be...









The gothic never far away, more real now than yesterday, creating monstrous child's play 
-Is this another frabjious day?


Imaginings of aliens and dinosaurs and gruesome things, 
directed by our choosing from 
other minds' selected musings


and christenings and cravings 
and digital arranging for 
our amusement, making - 
new moral mazes - breaking


as newborn gods are raking; our imagination 
forsaking by limitation shaping 
- a binary raping.


...So is the bard left quaking?


From Pottermore to Frankenstein, a new kind of monster is being created – The Guardian – 12.05.12

Friday, 27 April 2012

Huge impact for e-books sales and management

Tor rips up the rulebook on digital rights management -

The Guardian - Alison Flood -26th April 2012

Authors, agents and retailers welcome science fiction publisher's announcement that its entire ebook list is to become DRM-free
Sci-fi author Charlie Stross believes that Tor's decision to make its ebook list DRM-free will benefit readers and retailers alike
Tor, the world's biggest science fiction publisher and home to authors including Orson Scott Card, China MiƩville and Cory Doctorow, has shaken publishing with the news that its entire list of ebooks is to be made digital rights management-free.
Tor, whose parent company Macmillan is currently fighting a lawsuit over accusations of ebook price fixing, is the first major publisher to drop digital rights management (DRM) from its ebooks, and the move prompted predictions that others would soon follow suit. JK Rowling's recently launched ebooks, sold exclusively from her site Pottermore, are already DRM-free.
DRM is the way publishers currently protect their ebooks from piracy; it limits the sharing of titles between electronic devices.
The decision will cover Tor, Forge, Orb, Starscape and Tor Teen ebooks from July 2012, the publisher said, as well as Tor UK titles. "Our authors and readers have been asking for this for a long time," said president and publisher Tom Doherty. "They're a technically sophisticated bunch, and DRM is a constant annoyance to them. It prevents them from using legitimately-purchased ebooks in perfectly legal ways, like moving them from one kind of ereader to another."
"The pressure to do it has come from readers and authors," agreed Jeremy Trevathan, publisher at Tor UK's parent Pan Macmillan. "It's partly prompted by the launch of Pottermore, which JK Rowling has made completely DRM-free. The evidence from there seems to be that in fact piracy has gone down."
Trevathan said the news had been received "very positively" by writers and agents, while retailers have also been upbeat. Science fiction author Charlie Stross described the move as groundbreaking; it means, he said, that even if particular e-readers become obsolete, the ebooks purchased for those devices will still be available. He also argued that smaller retailers will be able to compete more effectively in the ebook marketplace.
Doctorow predicted that "this might be the watershed for ebook DRM, the turning point that marks the moment at which all ebooks end up DRM-free. It's a good day".
"DRM hasn't stopped my books from being out there on the dark side of the internet," said science fiction author John Scalzi. "Meanwhile, the people who do spend money to support me and my writing have been penalised for playing by the rules. The books of mine they have bought have been chained to a single e-reader, which means if that e-reader becomes obsolete or the retailer goes under (or otherwise arbitrarily changes their user agreement), my readers risk losing the works of mine they've bought. I don't like that. So the idea that my readers will, after July, 'buy once, keep anywhere,' makes me happy."
Tor will continue to fight ebook piracy "as robustly" as it did before going DRM-free, promised Trevathan. "The reason going DRM-free makes sense is that piracy is going on already [and] we have to acknowledge it," he said.
As yet, Macmillan is "testing the waters" to see how dropping DRM plays out. According to Trevathan, the house currently has "no thought of extending it beyond science fiction and fantasy publishing. But it's in the air. We've not talked about this to other publishers, but I can't imagine they haven't been thinking about this too."

Thursday, 29 March 2012

Trends to watch in E-Book Purchasing

We are always trawling the web for useful tips on the e-book marketplace - The selections below are courtesy of mashable.com and publishers' weekly.... links follow....

 - from mashable.com
'Philip Ruppel is president of McGraw-Hill Professional, a leading global publisher of print and electronic content and services for the business, scientific, technical, and medical communities.
Without a doubt, the e-book is practically the biggest thing that’s hit the publishing industry since the invention of movable type. Publishers and e-book resellers are reporting astronomical growth.
McGraw-Hill have been an active player in e-book technology dating back to devices like the RocketBook (one of the first e-book readers) that was launched more than 10 years ago. And today, e-books and e-book distribution is central to their publishing and growth strategy.
From the front lines of the e-book revolution, here are five trends they're watching.

1. Enhanced E-Books Are Coming and Will Only Get Better

Consumers have already shown that they love e-books for their convenience and accessibility, but ultimately most e-books today are the same as print, just in digital form. The e-book of the not-too-distant future will be much more than text. Interactivity has arrived and will change the nature of the e-book.
Imagine video that shows how to fix a leaky faucet or solve complex math problems in statistics; audio that pronounces foreign language words as you read them, and assessment that lets you check what you remember and comprehend what you just read. These interactive features and more are being developed now and will be on the market in a matter of weeks, not months.
Publishers are already conjuring up designs for the enhanced e-book of the future. Imagine still: If you miss five questions on your geometry test, will your book adapt and change to help you learn the questions and concepts you missed? Will your new novel provide a platform for live exchange with reading groups where you can discuss the book with the author? Today’s enhanced e-books that feature talking heads or out-takes from movies are yesterday’s ideas. Consumers will expect a much greater experience.

2. The Device War Is Nearly Over

Devices are proliferating to the point of confusion. Does a consumer buy a Nook, Kindle, Sony e-reader, an iLex or any one of 20 other dedicated e-readers? Or do they buy an iPad, Galaxy Tab, or other Android tablet? Or do they buy an e-reader at all? Have you ever noticed on a crowded train or bus how many people are reading their phone? And for a growing number of readers, the mobile phone is fine for reading just about anything. But as far as devices go, consumer confusion is likely to drive quick consolidation around a few winners in the market — no one wants to own the next “Betamax for books.”
Because most developers are developing e-reader software that will work on multiple other devices (Kindle also works on the iPad, iPhone, and computers, for example), consumers will care less about the device and more about the user experience of the e-reader software, portability of titles from one device to another, and access to a full catalog of titles.

3. The $9.99 E-Book Won’t Last Forever







Amazon popularized the $9.99 price point for best-seller trade titles, driving the widespread consumer adoption of the Kindle and consumption of e-books. This has caused confusion among many consumers who simply think every e-book should be $9.99 or less. But the majority of titles offered on Amazon are priced above $9.99, especially those with unique interactive features. For professional and technical publishers like McGraw-Hill, e-books cannot stand the low, mass market pricing some consumers think should be applied to every e-book. Costs are invested in extensive product and editorial development of sophisticated and technical content; the cost of paper, printing, and binding are a fraction of the real expense. And for some very specific and technical subject areas, markets are much smaller. 
The real opportunity for publishers will be to develop e-books that offer the kind of interactive features mentioned above. Customers will demand interactive books that provide a much better, more informed and enriching experience. For them, the experience (not the cost) is often the primary driver.

4. The Contextual Upsell Will be a Business Model to Watch

E-books allow publishers to interact with their customers in new ways. Imagine customers who are trying to learn statistics and get stuck on a particular formula. They ask friends but no one can explain it well. They’re stuck.
They click a help button, which points them to the publisher site where they can download relevant tutorials about specific formulas for $2.99. They choose the one they need and get a new learning tool, which helps them progress in their class. Multiply this by hundreds of thousands of students who share similar learning gaps who will purchase through the book (“in-book app purchase”) and it becomes an interesting new marketing opportunity.

5. Publishers Will Be More Important Than Ever

Despite the hype around self-publishing via the web, publishing houses will play an even greater role in an e-book world. Commodity content is everywhere (and largely free), so high-quality vetted, edited content — which takes a staff of experts — will be worth a premium.
At McGraw-Hill, the average technical and reference book engages teams of editors, copy editors, proofreaders and designers to produce a single book. In the digital world, the role of publishers will be larger as new technologies provide for an even greater user and learning experience. Furthermore, with the skyrocketing amount of content being served on the web, customers will seek and pay expert content providers that aggregate and contextualize information for them efficiently and provide highly accurate and specific search options. Publishers with expertise and resources in these and emerging areas will be the ones that write the new rules of e-book publishing.'
http://mashable.com/2010/12/27/e-book-publishing-trends/ 


...and on the subject from Publishers Weekly...


'Dedicated e-readers as well as multifunctional devices continued to gain in popularity this spring as the favored way to read e-books, while computers continued to lose ground. That was one of the findings of the newest edition of the Book Industry Study Group's "Consumer Attitudes Toward E-Book Reading." As the use of computers for reading e-books declined and the use of dedicated devices rose between May 2010 and May 2011, the two formats stood neck-and-neck as the most popular way to read e-books this spring. Multifunctional devices, meanwhile, were used by more than 10% of e-book readers this May for the first time. 


The survey also found that e-book buyers continued to spend more money on e-books while cutting back on purchases of print titles. About 67% of e-book buyers said they increased their spending on e-books this May, up from 48% last September. Just over 50% of e-book buyers said they cut back on their purchases in May, and 45% said they reduced spending on hardcovers. In September, e-book buyers reduced spending on hardcovers and paperbacks by 40% each. The survey also shows the impact the holiday season had on overall book buying. After receiving or buying devices in December, the percentage of e-book buyers who increased their spending on all book formats rose to about 35% in January, and then fell back slightly in May. The percentage of e-book buyers who decreased their spending rose slightly between January and May.


In some other findings, Amazon remained the dominant place to buy e-books, with more than 70% of e-book buyers using the store to buy titles in May 2011, up from 60% a year ago. Barnes & Noble.com stayed ahead of the iBookstore and iTunes in May with about 27% of e-book buyers going to B&N.com, while e-book buyers using the Apple stores stayed below 10% (and actually fell slightly from January). The only issue that e-book buyers said became more of a hindrance in buying e-books between May 2010 and May 2011 was the cost of titles, with prices rising from about 22% to 28% for e-book buyers. According to consumers, receiving free chapters or samples had the biggest impact on getting them to buy an e-book in May, while reading an online review fell to second place.'


http://www.publishersweekly.com/pw/by-topic/digital/content-and-e-books/article/48418-the-latest-e-book-buying-trends.html

Saturday, 18 February 2012

Frank Bruno MBE does Mrs Godbothers...

Breaking News....

Click to watch the video




  


"As a heavyweight poet... a champion rapper... Frank was the obvious choice to box lyrical with the delicate vernacular of yuf culcher addressed in Mrs Godbothers."  

"We are thrilled that he gave us his time and charm.  A Big thank you from mardibooks." 

"Frank Bruno's pithy performance as a stressed teacher in a classroom of bored teens, intent on their iphones and internal focus brings a real life sense of what is going on in and out of  the classrooms of Britain today."

"Frank bridges a link between generations and brings his own sense of drama to a serious message about teen communication and co-operation...A World Champ."

Tuesday, 7 February 2012

...Despite the Dangers of Social Networking...

...and the risk of becoming one of the 350m of a Facebook population of 750m around the world to develop FAD (Facebook Addiction Disorder)... we announce the launch of our facebook presence...

And we wish our followers and friends a fabalicious Tuesday to all - please come visit and share....

Saturday, 28 January 2012

Reaching Out to Writers....Getting your book aired???

One of our stated aims as mardibooks is to democratise publishing using the power of the web.  We are foremost writers, good writers, with interesting stories to tell.  ...and we join a remarkable and huge talent pool of already established and struggling to establish itself creators, manipulators, artists...

The economy has impacted enormously on publishing and the cost of e-books is time, or opportunity cost, not hard cash.  Already the major publishing houses are diverting and re-directng their efforts to harness a low cost solution.  For every 100 actual hard copy books sold, Amazon sells 180 e-books. So how do we promote ours in the face of such fierce competition and marketing costs?


...And where does this leave the niche independents, the self-publishers and the writers' groups?
Since our launch in December we have been pleased with our successes on Amazon, reaching the top 8,000 rankings in some weeks with our books - not bad considering Amazon sells over 4,000,000 books...
We regularly blog and tweet and utilise media groups and support each other's, so that our reach grows exponentially by the number of writers we have as well as by the number of followers...

So how does this help YOU?
The web is a big space and harnessing the social networking media available is time-consuming and difficult on a budget.  Time zones, language barriers, search protocols are both an issue and a non-issue as web traffic is fickle and tends to fall into daily routine patterns.  Setting up scheduled messages for different markets and time-zones can over-come this to some extent, but the weight of traffic still means your message still reaches mostly arbitrary audiences.  Social media sites are continually updating their user tools to enable refined messaging to specific demographics, but ultimately what makes them successful is not just the desire to message, but the desire to join in.  The human need to participate and not be left out.  Interestingly it is that same human need which attracts readers to our books - to know we belong we are, oxymoronically, unique but ultimately not different!


So here it is...how we can help you...
Each month we would like to review your books, give you air space.  This coming month is home to Valentine's Day, so we would like to hear from any writers of fiction, non-fiction, romance.  Promote your books on our site.  By linking together your networks through the conduit of mardibooks, who knows what reach we can cover?

Saturday, 14 January 2012

MEET THE NEW BOOK...SAME AS THE OLD BOOK


These are interesting times for those who value and embrace the intellectual potential of the written word. With the advent of the e-book, an entire library can be carried around on a laptop unit a little larger than a single paperback. Whilst the tacit sensual joy of the book with its cover design, back cover blurb and physically turnable pages, like small doors to new rooms, cannot be denied, this new world desire for substance in the virtual will have their wants met.

With Google and Apple moving towards a hard driveless world through their various Cloud innovations and silent solid state drives with no moving parts, anything remotely bulky and of physical value is as desirable as a syringe shot of bacillus anthracis.

Imagine, if you will, a future where all that is vital to satisfy the demands of the consumer is the ability to meet an annual subscription fee for your 'one service' account and ID. The tangible joys of life will be restricted to increasingly rare opportunities for human contact, and, perhaps, places for the consumption of food. The leisure industry will almost certainly have its work cut out providing new ideas to oil its wheels as we retreat to the mind away from the body. The joy of language and an escape from feeble assimilation will be hunted out like the spoils of sinful acts. With an abominable sack of new unmediated texts, quality and diversity will take on all the status of literary accidents. The critic will return, their words worth a thousand pages, as good writing gets recommended and vanity verbiage is put in the trash on the bottom right of the screensaver.

So who will be the first recognised empirical lords of the new e-book dynasty? They are already upon us. Darcie Chan is now a publishing sensation, selling 400,000 e-book copies of her debut novel ‘The Mill River Recluse’, her imagery now upon the pages of nearly half a million kindles, even though it has yet to achieve a print run. In less than five years, newspapers, the Guardian's Alan Rusbridger tells us, will be available only as the virtual fruit of iPad subscriptions. Tomorrow's reading will only be associated with touch through the tap tap tapping of the touch sensitive keyboard.

As for mmx e-books and the so-called interactive reading experience, nothing can provide us with a realistically genuine substitute for the incredibly solitary process of taking on a giant page-turning literary thriller. You cannot read a book with someone, and as we enter the world alone, so shall we leave it. Nothing in life is quite as deliciously private as the reading of a book, and only the e-book amongst everything new on the literary scene carries that quality.

It is for that reason alone that I predict the continued and growing success of the e-book, and with the onset of solar powered kindles, we have not even to fear the end of the world’s power supply. Reading, and all the books that promote it, will survive.

M J Godleman
January 2012